Netflix on YouTube:

Inspired by the unbelievable true story, a strait-laced professor (Glen Powell) uncovers his hidden talent as a fake hit man in undercover police stings. He meets his match in a client (Adria Arjona) who steals his heart and ignites a powder keg of deception, delight, and mixed-up identities.

From Academy Award-nominated writer/director Richard Linklater and co-written by Glen Powell, HIT MAN comes to select theaters in May and only on Netflix June 7.

Oh boy, this looks like a great time.

Get ready for maximum Glen Powell this Summer, by the way, with this and Twisters hitting over the warm months.

Justin Kroll, Deadline:

Quentin Tarantino’s movies are always full of surprises, and here is one about The Movie Critic we did not expect. Deadline can reveal that Tarantino has dropped the film as his 10th and final project. He simply changed his mind, Deadline has been told.

Tarantino was going to have Brad Pitt as the principal star, which would have marked their third teaming after Inglourious Basterds and Once Upon a Time in Hollywood. There were rumors that many from the casts of his past films might take part, and Sony was preparing to make the film after doing such a superb job on the last one.

Word is that Tarantino had rewritten his script, which delayed the start of production. But this is his 10th and final film, and Tarantino simply decided The Movie Critic will not be it.

This is a genuine surprise. Things sounded like they were moving pretty quickly on the project, and QT ending his career with how he started, with a project observing and critquing movies, felt like a great full circle move.

Alas, another project gets added to the pile.

Riley MacLeod, Aftermath:

This, I think, is what’s actually pissing the AI people off about Brownlee’s Humane review. He is clear that he has no fealty to them or their stock prices (“I literally don’t care what the stock price is of any company, of any product I review,” he says.) He even says in his video that “my reviews are technically not for” these products’ makers, which must be infuriating to our new Gilded Age robber barons who need constant reassurances of their genius. Because Brownlee isn’t in the business of promoting them or even talking to them, he’s not required to tout AI’s potential.

If you’ve missed The Discourse™ about MKBHD’s review of the Humane AI pin, Congrats! You’re not Extremely Online. But for those who do have a stake in the conversation, I think MacLeod’s piece I’ve linked above does a great job of summarizing both the situation and my personal beliefs on it.

I’ve expressed privately my confusion of the number of companies which grew to massive size not on the work they’ve delivered or the contributions they have made to our day-to-day lives, but more on the potential of doing so.

These reviews – and more specifically, the pearl-clutching of those who are insulted by reviewers, well, reviewing work – are the beginning (in my opinion) of a much needed reckoning.

Potential means nothing. Actions and reality are everything. I’m sorry that it took interest rates changing for a slue of folks to realize this, but you’re only worth what you actually do.

David Pierce, The Verge:

That raises the second question: should you buy this thing? That one’s easy. Nope. Nuh-uh. No way. The AI Pin is an interesting idea that is so thoroughly unfinished and so totally broken in so many unacceptable ways that I can’t think of anyone to whom I’d recommend spending the $699 for the device and the $24 monthly subscription.

David Pierce absolutely whirlwind dunking on the Humane AI Pin in his review this morning. Goddamn!

Cherlynn Low at Engadget did not care for it either.

If the headline of “The Humane AI Pin is the solution to none of technology’s problems” wasn’t clear enough, here’s a pretty damning pull quote:

Not only is the Humane AI Pin slow, finicky and barely even smart, using it made me look pretty dumb. In a few days of testing, I went from being excited to show it off to my friends to not having any reason to wear it.

I had a feeling that the Pin was a solution looking for a problem, but I didn’t realize it’d be this downright useless or bad. Not the best first step for the Humane team.

Overcast.fm:

Join Seth Meyers as he sits down with fellow SNL alum and comedy-music sensations The Lonely Island (Andy Samberg, Akiva Schaffer, and Jorma Taccone) to discuss their wildly popular and groundbreaking series of SNL Digital Shorts that aired on Saturday Night Live beginning in 2005. Episode by episode they’ll discuss how each short was created, what the response to it was at the time, and what impact, if any, it still has today. Aided by Seth, the guys will relive their time at SNL and reminisce on the nearly 50-year-old show from a time when putting short comedy sketches on the internet was so novel that they maybe even helped launch YouTube to do it. Along the way they’ll talk all things SNL from guests, fellow cast members, and favorite live sketches including many that never aired.

The Lonely Island has had a near direct line to my funnybone since I first became aware of them and their work in 2005.

In fact, the free giveaway of “Lazy Sunday” was my first iTunes video “purchase”.

Since then, they’ve released three albums, over a hundred shorts, and produced two of my favorite comedies of all time, in Popstar: Never Stop Never Stopping and Hot Rod.

Suffice to say, the moment I heard that Andy, Jorma and Akiva were going to be doing a watchalong/look back podcast with Seth Meyers, I was in.

The first episode hit on Monday, and is more about their road to Saturday Night Live and their struggles in getting on air. The Lonely Island gang are great storytellers, and their friendship comes through (though I believe its all recorded remotely). Seth acts as the perfect host, and if you are at all a fan of how comedy is made or the behind the scenes of SNL, I cannot recommend this enough.

If you’re not aware of The Lonely Island for whatever reason, get on watching Popstar. Immediately.

Filipe Espósito, 9to5Mac

But there’s another important update to the App Store guidelines, and this one applies worldwide. For the first time, Apple is allowing developers to create and distribute game emulators on the App Store. The news was confirmed by Apple in an email sent to developers. Since the very first iPhone, developers have been finding ways to distribute game emulators to iOS users. The App Store guidelines have never allowed emulator software, but some apps have had luck bypassing Apple’s review process by disguising their apps and hiding emulators within them. But that’s changing now with the App Store’s new guidelines.

Discovered late in the day yesterday was a bunch of changes to the App Store guidelines presented to developers by Apple.

The key change presented seems to be that of allowing — in the EU — music apps to allow signups via their own web interface, versus through the App Store alone.

In the mix further down, however, is the revelation that game emulation is now allowed.

Android users have been able to do this for ages, but now, iOS — and presumably iPadOS + tvOS users — will be able to do the same without using some of the complicated go arounds in use currently with Altstore.

Now I’m just hoping that two of the Altstore’s best...

• Delta, a Nintendo focused emulator for iOS

• Provenance, a multi-system emulator that’s also available on tvOS

…make their way to the AppStore.

I do wonder if someone’s gonna try to have something up as early as this week...

Jez Corden, Windows Central:

As part of the emails to her team, Sarah Bond revealed that Microsoft has now set up a dedicated team to ensure the future-proofing of the current Xbox game library against future hardware paradigm shifts, ensuring that our games remain accessible long into the future. "We have formed a new team dedicated to game preservation, important to all of us at Xbox and the industry itself," Bond said. "We are building on our strong history of delivering backwards compatibility to our players, and we remain committed to bringing forward the amazing library of Xbox games for future generations of players to enjoy."

As far as I’m concerned — especially with the model of video game distribution becoming a digital one — this is table stakes for Microsoft, Sony, Nintendo, et al.

The hard part is going to be the growth of GAAS titles: how can a game be preserved if the events have ended and servers have gone offline?

Far too often, gaming (hell, media, period) is focused on new and next, when past and current should be celebrated just as much. May this be the first major shot in a series of events ensuring that the work of talented creators can be engaged with years down the line.

Adam Reiner, TASTE:

After six months of conversations with five founders of small to midsize food brands, it appears to be an open secret in the consumer packaged goods industry that Trader Joe’s outsources inspiration for new products by targeting emerging brands under the guise of recruiting them to manufacture private-label items. Private labeling is the ubiquitous (and often clandestine) practice of consumer food brands creating exclusive products for third-party retailers. The terms of these contracts vary, but the enlisted food brand typically receives compensation in the form of a production fee or profit-sharing arrangement.

According to these sources, Trader Joe’s commonly solicits product samples and even asks for potential recipe adjustments—a revealing and time-consuming exercise for bootstrapped founders—before inexplicably abandoning the negotiations and releasing its own private-label versions of similar products at lower prices.

Yikes on bikes, folks.

This is a pretty damning expose of how Trader Joe’s decieves smaller food brands under the guise of a partnership, then undercuts them when the financial terms are deemed untenable by the brand themselves.

I recognize, in all these instances, Trader Joe’s didn’t even need to offer to work with them before ripping them off, but the boldness to proceed even after trying to work together is NOT a good look.

Zack Baron, British GQ:

These days, Nine Inch Nails, which Ross joined as a full-time member in 2016, present a different problem – how do you make something old, something so already well-defined, new again? There are years when Reznor feels like he has the answers and years when he’s less certain. He has put the band on hiatus more than once; after the last Nine Inch Nails tour, in 2022, Reznor deliberately took a break from playing shows as well. “For the first time in a long time I wasn’t sure: what’s the tour going to say?” Reznor told me. “What do I have to say right now? We can still play those songs real good. Maybe we can come up with a new production. But it wasn’t screaming at me: this is what to do right now.”

A really great profile of Trent Reznor and Atticus Ross, as they’ve asserted themselves as a go-to in the world of film scores.

But now that they’ve established themselves in that world, they’re now thinking bigger: the return of Nine Inch Nails, their own production company, fashion, and something with Epic Games.

You might not peg me as a NIN fan, but 1999’s The Fragile is one of my favorite albums of all time, and its been really great over the last few decades to see Reznor get clean, get healthy, become a family man, and establish himself as a true icon in music, technology and film.

I am very excited to see what he and Ross have planned with all their new projects.

Polygon

Uniqlo’s latest video game collaboration may be its best yet. It teamed up with Nintendo on six T-shirts inspired by The Legend of Zelda: Tears of the Kingdom, and they’re coming to stores in late April. Each $24.90 T-shirt features iconography and characters from Tears of the Kingdom.

As usual, Uniqlo has put together a pretty sweet series of tees for a licensed property.

I think the pocket tees with the Korok’s peeking out is the most clever of the set.

The Verge

Instagram’s co-founders built a powerful and useful tool for recommending news to readers — but could never quite get it to scale. Yahoo has hundreds of millions of readers — but could use a dose of tech-forward cool to separate it from all the internet’s other news aggregators. And so, the two sides are joining forces: Yahoo is acquiring Artifact, the companies announced on Tuesday.

The few times I gave Artifact a spin, I did think it was a compelling way to have news articles raised up and aggregated to your personal taste. At the same time, the weird social features seemed to get absolutely drowned by people trying to push their app/crypto/etc.

Keep the algorithmic news, drop the tech bros holding court like this is LinkedIn, and I think Yahoo! may actually have something compelling in their portfolio that isn’t Fantasy Sports related.

Driving home from another great Super Art Fight event, I had my Apple Music library on shuffle.

Not sure if that’s just a me thing to do, or others handle their music libraries the same way, but that’s not the point.

The song “War on Torpour” from the amazing Canadian post-rock band Do Make Say Think came on, off their 2017 release Stubborn Persistent Illusions.

It’s a hell of a song, and a great kick off to an album. After a slow, yet intense build, the song goes in all sorts of directions.

Here, give it a listen.

Pretty rad, right? Comes in with a lot of energy and a feeling of catharsis, not to mention the drumming is out of this world.

Thing is, for years and years, I just knew that song and its driivng force. Honestly, that’s really what I knew of Do Make Say Think’s music - the sound, the noise, the feeling.

During COVID, I looked up a live performance of the band – and not only is there a killer rendition on YouTube, via House of Strumbo, but I was hit upon not just delight at how well they performed the song, but a reminder that I was seeing – finally – how that incredible noise was made. You can forget that these songs are the efforts of individuals, making noise, together.

That should be timed to the song’s appearance in the video. If not, it’s at 24:45.

It was a crash course for me in not just respecting their efforts, but seeing the craft which spawned it. The magic trick, explained, even if I couldn’t believe it, as my ears and eyes couldn’t jive their perceptions of the work.

I don’t want to sound like an Old Man Yelling at a Cloud here, but I think we forget the art we digest is through the skill and effort of the artesian. They made the magic. Their dedication gave us something to appreciate and love.

And that hung with me on this drive home, how lucky we are to just be able to digest the art of so many, so easily, in a way more accessible than ever before. It’s a lucky time.

Jennifer Maas, Variety:

The Writers Guild of America (WGA) and other unions representing film and TV writers and journalists sent a letter to Congress Thursday urging protections for their industries in any legislation regarding Artificial Intelligence.

Addressed to Senate Majority Leader Chuck Schumer, the letter was co-signed by the NewsGuild-CWA, Writers Guild of America East (WGAE), Writers Guild of America West (WGAW), and National Association of Broadcast Employees and Technicians (NABET-CWA).

“So far this year, our members have witnessed the impact of unregulated AI on their jobs,” the letter, obtained by Variety, states. “Major news media companies, including Gannett and G/O Media sites, deployed AI articles with fake bylines to replace the work of hardworking local and digital journalists and writers. Film and television writers won critical protections in their collective bargaining agreement, but their work continues to be used by AI developers without their consent.”

This is going to be the first of many instances of different worker organizations speaking up and speaking out to their government about further regulating AI.

My galaxy brained take? The AI revolution will lead to greater adoption of unions and collective bargaining. And I couldn’t be more for that.